Mary Akers

Never Give Up

2012-01-13T09:24:00.000-08:00

Cliff Garstang has a great post about keeping hope alive as a writer: Don't Give Up! Truly, mental fortitude in the writing business is as important as the writing itself, especially in the beginning. As Fred Leebron counseled us during our MFA program, "Writing is a game of attrition. Don't attrish."

I'm very pleased to announce that I have not attrished, and any plans for attrishment that were being hatched have been ferreted out and squashed. The writing is going well on all fronts. I only wish I had more hours in the day.

A bit of excellent news arrived in my inbox yesterday. I won the League of American PEN Women Mary Mackey Short Story Prize for my story Viewing Medusa. This story is part of the novel-in-stories that I'm working on, so that's doubly heartening. Also, that story has been sent out to over 100 magazines and journals without ever getting picked up (yes, I'm stubborn). It is also the story that helped secure me a Bread Loaf waitership and an SLS scholarship in a contest judged by Margaret Atwood. It's served me well, but no magazine has seen fit to publish it. Am I alone in finding that odd? Well, until one finally does, I guess I'll just keep using it to apply for as many good opportunities as I can. :)

Happy holidays!

2011-12-28T05:38:00.000-08:00

The (dreaded) Author Photo

2011-12-10T08:41:00.000-08:00

Most of the readers I know, love to look at an author's photo. Most of the writers I know hate the idea of their picture being attached to their words. In that regard, I'm no exception. I mean, I write words, for heaven's sake--I'm not an actress. What does it matter what I look like? My writing should tell you everything you need to know about me. Please, keep my looks out of the equation.

Except I admit that I look at author photos, too. It's not necessarily the first thing I do as a reader, but I usually do it before I commit to buying the book, and then again (sometimes many times) while reading--the number of glances largely related to how I feel about what I'm reading. When I first read Wally Lamb's She's Come Undone in the 1990s, I kept returning to the author photo. I had so much trouble believing it had been written by a man. I looked and looked at his face, wondering, was he transgendered? Was he some sort of super-sensitive male creature? What makes this author tick?

Reading my first Malcolm Gladwell book, Outliers, I was intrigued by his author photo, too, especially his splendiforous hair, which I know has nothing to do with what he writes, but his photo and the subject he wrote about felt oddly mismatched for me. Revisiting the author photo was evidence of my continued incredulity: "This guy wrote this?" (I've since reconciled the author image and the book's content.)

If a book is funny, you want to flip to the back and see a photo of someone who looks like there's an amusing anecdote just waiting to fall from her lips (calling Erma Bombeck!). If it's a book about science, you want to see the scholarly author ready to expound on her topic of expertise. For One Life to Give, the non-fiction book I co-authored, with its inspirational/educational focus, we chose author photos that showed us looking trustworthy and understanding.

As an author, I think it's difficult to know when it's time to update the(dreaded) author photo. I've been to plenty of readings where the author in question is a good twenty years older than his or her most recent official author photo. While I understand the impulse to present your best, youngest self, that older picture isn't really a picture of you anymore. So I've decided that every ten years is a good benchmark to shoot for. And this fall, when I still had a smidge of my summer tan and backpacker's fitness left, I decided it was time. I bought tooth whitener. I got a really good haircut. I bought two new shirts. I actually got excited about getting my picture taken, convinced that I could be happy with the results. (Apparently I had forgotten how seldom I see of a photograph of myself that I actually like.)

Oddly enough, I found that my previous author photo often caused readers to exclaim, "Oh, you look so much younger in person!" when they met me, which I found very strange. How often does that happen to an author?? And what was wrong with that photo? Was it the pose that made me look older? The outfit I was wearing? The use of a black-and-white image? What? Whatever it was, I knew that I wanted my updated author photo to go in the other direction this time.

So I tried for a look that might be labeled "hip" if it weren't for, you know, the fact that it's a photo of a writer. (Apologies to all my hip writer friends out there, but surely you know you are in the minority.) I was pretty sure I wanted my photo taken outside. I write a lot about the natural world, and I am far more comfortable outdoors than I am cooped up inside. I thought I wanted a photo with my fins, which led to an option that I decided was fun, but not really author photo material.

Then we shot some in color, against a rustic doorway, but they felt too smiley. What I had in mind was a photo that would depict me as serious but approachable, intelligent but fun. I understand that's a lot to ask of one image, but we kept trying. We even gave the studio shots a whirl in both black and white and color, using different backgrounds, wearing different clothes, striking different poses, looking in different directions. The photographer was very patient. In the end, I decided to go with the leather jacket image that I have made the "face" of this blog. Although I will happily take a publicist's advice when we get to that stage.I'm looking forward to it. :)

Freight Stories #&!

2011-10-13T06:55:00.000-07:00

Very pleased to have my short story appear in this issue!

Freight Stories 7

A sign for the ages

2011-09-30T11:36:00.000-07:00

This cracked me up. Happy weekend!

Source credit: The Nature of Words

Margaret Atwood at the r.kv.r.y. blog

2011-09-28T07:30:00.000-07:00

I am a huge, slavering fan of Margaret Atwood's work. I first read The Handmaid's Tale in 1985, and it took the top of my head off. Thereafter, I read everything of hers I could get my hands on. The Double Voice, the poem she graciously permitted us to print in this issue, became a standout poem for me in those early years when I was grappling with what it meant to be a woman, and a creative woman at that.

I grew up spending a lot of time in the wilderness. Our first house in the Blue Ridge Mountains was located down a one-lane dirt road in a holler, a mile away from our nearest neighbor, with two creek crossings (no bridge--we just drove right through). In the winter, we kept our vehicles at the top of the hill and first walked up there to drive to town, then brought our groceries back down by toboggan, usually once a month. (We bought a lot of powdered milk and pinto beans.) I'm sure it was a difficult existence, especially for the adults, but it was a magical time for me. I've read that Margaret Atwood spent many months in the Canadian wilderness as a child, and I can't help but wonder if some of my affinity for her work is related to the similarities of our early experiences, although back then Canada seemed like a world away from Check, Virginia.

Our first winter in that house was the winter of 1976, an especially snow-heavy winter all over the east coast. I missed school the entire month of January because of the excessive snow. I also remember watching the news after the freak snowstorm in Buffalo that year that left people climbing out of their second-story windows to get out of their houses. I distinctly remember thinking, "Who in their right mind would ever live in such a place??" And here I am now, going on 11 years in Suchaplace, NY. A southern girl at heart, I now live so far north that parts of Canada are actually south of me. Oh, irony.

Anyway, this was meant to be a post about Margaret Atwood and her amazing work. I've heard her speak several times, once in Buffalo, once in Toronto for her clever, theatrical, and environmentally consciencious launch of Year of the Flood. For intellectual stimulation and wry wit, she never disappoints. In 2012, at the annual AWP conference in Chicago, she will be keynote speaker--a Do Not Miss event.

Here is a video link of her brilliant talk at a tech conference in which she discusses The Publishing Pie (featuring her own hand-drawn slides). I highly recommend this discussion of the role of authors in the changing publishing landscape. In response to popular demand, she made several of the slides into t-shirts, including the Dead Author t-shirt pictured below, that you can purchase at Cafe Press. Clearly she's an author not afraid to embrace new technology, and that alone would be enough of a reason for me to admire her.

And here is a fun video from one of my favorite shows, The Rick Mercer Report, in which she answers the question Poet first? Or novelist first? Surprise answer? Goalie!

My Blanket Apology

2011-09-08T05:38:00.000-07:00

I am counting down. I have given myself a timetable and my end date is September 15th. One week to go.

This is the date I have told myself I must be done. I've completed nine other revisions on this novel, but this last one is a biggie. New title, new ending, new character names, new motivations, more sex, and another death. I am almost there. But I still have one week to go. So...

No matter how much I love you, don't expect to hear from me. Unless you have the same number as the Hong Kong Buffet takeout place, I'm not likely to ring you up.

On the other hand, I may contact you if you know anything about boats or sharks or the Windward Isles or what it means to be a Belonger. Or even if your area of expertise is 70s punk or panic attacks or Mormonism or stalking.

If you call me, I am not likely to answer. If I do answer, expect me to sound confused, distant, and disoriented for the first five minutes of our conversation. (No, I have not been drinking...unless it's after ten pm and I'm writing a sex scene.) When you have been diving in very deep waters, it takes time to resurface, unless, of course, you don't mind if your head explodes.

If you email me and my answer is shorter and more to the point than my usual emails, understand: brevity is where I live. For the next week, I won't use two words where one will do.

If I seem testy, don't take it personally. It is only because I am spending my days looking for any spark of conflict and then cupping it in my hands and blowing on it.

To my friend who has recently had a baby, I'm sorry I haven't called. I've been up at night walking the floors with my own colicky manuscript.

To my neighbor, whose son just left for college, I'm thinking of you, I really am.

To my former sister-in-law who just lost her beloved uncle, I love you and I'm sorry for your pain.

To my children, my mother-in-law, my co-author, my best friend, my editors at the journal, my book club, my sisters, my mother, my poor neglected husband, my cat, my garden, and my yoga mat, I'm sorry I love you all. Please just allow me one more week of being here but being absent. Just seven more days, I promise.

Interview with Dylan Landis

2011-08-11T09:29:00.000-07:00

At the r.kv.r.y. blog.

Here's an excerpt:

MA: I've read that you feel one of your themes to be "the redemptive power of art." I love that. It makes so much sense to me, but I'm wondering if you could extrapolate on that for our readers.

DL: I'll say this inadequately, as neither a scholar nor an artist. I'm an ex-newspaper reporter who spent thirteen years getting her first book of fiction out.

Art requires so much discipline, and receptivity; and in return it connects you with humanity, and transcends what is mundane about humanity, too. This may sound crazy, but striving for all of that makes me feel forgiven, like I have a right to be here after all. Just the act of reading and writing, or answering your questions and looking up what Chekhov said about being cold, bonds me with other souls who care about story, books, language, a higher purpose. I need that. And I need to write about people who don't yet realize what it means to be touched by that.

Of course I may be producing absolute dreck while rereading Faulkner or Toni Morrison. But as long as I show up, I'm plugging into something larger and more vibrant than anything else I could probably manage to do.

So I wish that for my characters. I see art—and science too; think of Andrea Barrett's work—as a driving force for some of them, or as a real lack in their lives. Remember that art can be provocative, and artists troubled. The possibilities in fiction are intense.

The French cover!

2011-07-15T06:43:00.000-07:00

I love this cover unreasonably. The title translates to "The grandfather and the calf. Lessons of life and hope." I love the title unreasonably, too. So thrilled at the job our French publisher did. C'est formidable. Merci beaucoup, Belfond!!

Magnolia Journal!

2011-07-14T05:06:00.000-07:00

Today I received my contributor copies for the inaugural print issue of Magnolia Journal. It's stunning, and I'm thrilled to have my work included.

Here's a bit from the back cover:

"In this first volume of a new series dedicated to socially engaged literature by women, guest editor Gayle Brandeis introduces us to powerful storytelling that speaks out loud the atrocities of our world, breaking the silence and taking pause. Included are the traumatic tale of a mother’s loss during a clandestine border crossing, the unionization of a women’s light bulb factory in pre-World War II Chicago, a child whose life has been stunted by a futuristic device she is stored in on a daily basis, and many more.

This year’s writers represent a diversity of geographies, stylistic sensibilities, and perspectives. Through poetry, fiction, and creative non-fiction, they universally challenge us to reconsider what “women’s experience” looks and sounds like—they require us to break our hearts, celebrate even the smallest triumphs, and to critically examine the seemingly mundane moments of everyday life, all through the medium of language. Featuring new and established voices, this collection is a must read for compassionate and thoughtful readers from all walks of life."

I'm especially happy to have found this fine home for my short story "Waste Island." It's speculative fiction, set in the future, on an island made from trash and located in the Sargasso Sea in the Atlantic gyre (aka the garbage patch). The narrator is a young woman caught in the web of an environmental cult with a leader whose good intentions lead them to tragedy (a la Jim Jones).

I won't have a chance to read the other work until next week, but I did a quick scan and it looks like a fabulous issue!

Here's a link to purchase it on Amazon: Clicky

Freight Stories

2011-06-26T10:18:00.000-07:00

Thrilled to learn that I have a new short story accepted for publication by the very cool Freight Stories! It's a somewhat unusual story, about a war between spongers in the Florida Keys at the start of the 1900s. I love the work Andrew Scott and Victoria Barrett are putting out and am really honored to have had my work chosen. (Plus, this is now the seventh short story from my new marine ecology collection to be picked up--all good!)

And speaking of short stories, I just finished reading Naked Summer by Andrew Scott (Press 53). Really an enjoyable read--I raced through it one sitting. Must go back now, and savor...

Polish translation available!

2011-05-26T09:17:00.000-07:00

We now have signed copies of RADYKALNA WDZIECZNOSC (the Polish translation of Radical Gratitude) available for sale!

The April issue of r.kv.r.y. is LIVE!

2011-03-31T09:05:00.000-07:00

So excited about this issue. We are honored to feature the talents of Anne Elliott, Kevin Jones, Stefanie Freele, Ed Falco, Matthew Vollmer, Ru Freeman, Dora Malech (as well as a review of Dora's latest poetry collection), Shara Lessley, Dennis Mahagin, Sarah Wells, Mindela Ruby, Kyle Hemmings, Donna Hunt, Diane Bechtler, and Virginia Williams, with all original, custom-designed illustrations by Morgan Maurer. Such a fine, fabulous group!

Check us out at r.kv.r.y.

An interview with Sonya Huber

2011-03-04T05:38:00.000-08:00

Sonya Huber and I had a wonderful conversation about pivotal moments that change how we see life, revisions, and accidental creativity. Please check it out at the r.kv.r.y. blog!

Interview with Anjali Enjeti

2011-02-27T10:20:00.000-08:00

Speaking with Anjali Enjeti at the r.kv.r.y. blog

Excerpt:

MA: Yes. A friend of mine survived banishment to Siberia during Stalin's brutal regime and he swears that retelling the story for 70 years now has taken out all the sting of it in a very healthy way. (And he's a psychologist, so he ought to know!) One image from your essay really sticks with me is found in the line: "I try to picture American soldiers combing the desert with dog tags hanging around their necks, M16s secured to their chests, and black rosaries stuffed in their pockets." As soon as I read that, I try to picture it, too, and I think it's important that we do. It also links you and your struggles, and your mother and her rosary group to men halfway around the world, fighting for their lives and also fighting to recover from their own traumas. Did you feel that connection, too?

AE: Recovery is a battle, isn’t? A war zone with no boundaries. When we hurt, we are bruised and battered soldiers, trying to find meaning in senseless violence. We are stunned by the assault on our senses. The harder the fight, the more aggressive we have to be to find a way out.

When I held the rosaries for the soldiers my mother made, I felt stronger, more ready, to face the remainder of what I hoped would be a successful pregnancy. But the black rosaries were also a sobering reminder for me that what others faced in the world was far worse than my own individual pain. This perspective was crucial to my recovery.

Interview with Carolyn Kreiter-Foronda

2011-02-21T10:24:00.000-08:00

There is an excellent--and I mean excellent!--interview now live at the r.kv.r.y. blog with a fascinating discussion about creativity and art as a conversation. Also, if you're interested in the art of Frida Kahlo and Diego Rivera, check it out. Carolyn is an amazing artist with such varied interests.

Dragon in Flight by Carolyn Kreiter-Foronda

Review of SERENA by Ron Rash

2011-01-01T17:10:00.000-08:00

In the opening scene of Ron Rash’s excellent new novel Serena, George Pemberton, ruthless and land-hungry timber baron, returns by train to his holdings near Asheville, NC in 1929, with Serena, his wife of two days, in tow. There to meet them at the station are Rachel Harmon—a former camp employee who is carrying Pemberton’s unborn child—and her angry father, bent on revenge. At Serena’s urging, Pemberton quickly settles the score, leaving his opponent disemboweled, the young girl fatherless, and the witnesses at the depot speechless.

Upon returning to camp, the first thing Serena does to establish her own ruthless authority is to size up a nearby cane ash and make a public bet with the skeptical cutting-crew foreman as to the total board feet the tree will yield. Unfortunately for the foreman, he takes Serena’s bet. When the tree is cut and timbered and the results publicly revealed, his fateful bet loses him not only two weeks’ pay, but also his job—leaving no doubt among his fellow timber men as to who is in charge.

From that day forward, woe to any partners, employees, lawmen, or doctors who dare to desert, mislead, or challenge the rising Pemberton dynasty. Serena, as a sideline to her day job of overseeing the cutting and transport of timber, proceeds to import and tame a wild eagle, teaching it to hunt and destroy the area’s deadly timber rattlers, launching its aerial attacks from an imposing perch atop Serena’s forearm, while she sits astride her white Arabian stallion. When the eagle drops one of its victims, and a six-foot venomous snake falls from the sky, landing at the feet of the camp’s preacher, the man goes mad and is removed from his position, attracting unsavory interest and speculation from his fellow workers for months to follow.

The story of the Pembertons’ rise to power takes an even more violent turn when Serena—who wears jodhpurs and boots like a man—becomes pregnant, carries to term, then tragically loses the child, as well as her ability to conceive any future children; on the surface she copes, but underneath it all her vengeful and vindictive tendencies thrive.

When Serena’s quick tourniquet saves the life of a loner/worker whose hand is accidentally severed, she wins the blind loyalty of both him and his mantic mother, gaining a devoted henchman to do her diabolical bidding. Twenty-six months after the honeymoon train ride from Boston, Serena sets out to kill the child her husband fathered before they met. Her first foray into the surrounding hills fails to reveal the child’s whereabouts, but Serena manages to carry out her first longed-for murder: the innocent Widow Jenkins who had been caretaker of the boy. “We’ve both killed now,” Serena tells her husband urgently. “What you felt at the depot, I’ve felt, too. We’re closer, Pemberton, closer than we’ve ever been before.” And for the first time, we get a glimpse of the Lady Macbeth she has become, and the latent tendency that had been there all along. After her sinister pronouncement, her husband muses thusly:

“Madness, Pemberton thought, and remembered the first evening back in Boston, the walk down the cobbled streets to Serena’s lodging, the hollow sound of their footsteps. He remembered the moment he’d stood on the icy step as Serena unlocked the door and went inside, pressed the front room light on. Even when Serena had turned and smiled, Pemberton had lingered. Some dim troubling, almost visceral, keeping him there on the step, in the cold, outside the door. He remembered how he’d pulled off his gloves and stuffed them in his overcoat pocket, brushed some snow flurries off his shoulders as he delayed his entrance a few more moments. Then he’d stepped inside, stepping toward this room as well, into this moment.”

When her latest obsession reveals itself (“just us” she says, passionately kissing Pemberton before setting out under cover of darkness) her husband’s own desire to save the child who already bears such a striking resemblance to his father, initiates the slow unraveling of their marriage leading, ultimately and cataclysmically, to a conclusion so shocking that even though we sense it coming we think “no!” as we read—“no, surely not.” But readers can rest assured, under Ron Rash’s masterful pen and meticulous unfolding narrative, the dramatic conclusion is both thematically and cinematically right for the story. We arrive there breathless, incredulous, but strangely and supremely satisfied.

This is a finely crafted, beautifully rendered, and classically tragic tale of human ambition run amok. I have been a fan of Rash’s work for years, but this surely is his best, most artful novel yet.

Lu Livingston is showcased at r.kv.r.y.

2010-12-06T14:24:00.000-08:00

Read an author's interview with Lu Livingston over at the r.kv.r.y. blog!

Amherst Book Review Club appearance

2010-12-03T12:26:00.000-08:00

Yesterday and last night, yet another lake effect snow storm dumped two feet of heavy, wet snow in South Buffalo--on the day that my co-author and I had scheduled one of our biggest author appearances of the year. And wouldn't you know it? The NY State Thruway actually closed down--trapped motorists ran out of fuel and were stranded in their cars with rescuers coming to them by snowmobile...you just gotta love western New Yorkers and their can-do attitudes.

But, unfortunately, heavy snowfall meant that the attendance for the meeting was down by almost half and we didn't sell nearly the number of books we had hoped to, but the audience was very receptive, the salmon at lunch was good, and we had fun. (Even if I was too keyed up to eat my dessert--it looked fabulous.) I had brought some Krupnik (Polish honey liqueur) that my mom's Polish friend sent for Andy, so I passed that along to him. It was yellowish liquid in a small glass jar--looking very much like a urine sample--I'm sure any witnesses to the hand-off wondered, "What the heck?" (Why, selling my urine so Andy can pass a drug test, of course!)

92 people had signed up for the luncheon and paid in advance. We had 51 actually show up. But it was really heartwarming to see stooped-over elderly ladies hobbling across the parking lot using their canes in the snow just to come and hear us speak. (I stood there and opened the doors for them while I waited for Andy to arrive. He was almost late--traffic from his part of the state was at a standstill.) All I can say is western New Yorkers are made of tough stuff. Our local TV station prints out T-shirts that read, "Hey, it's Buffalo. It snows. Deal with it."

But all in all it was a wonderful appearance with gracious, attentive hosts and a fine time was had by all--despite the snow. :)

Andrew Tibbets showcased at the r.kv.r.y. blog

2010-12-03T11:53:00.001-08:00

This week, over at the r.kv.r.y. blog, we're highlighting the fine work of Andrew Tibbetts!

Clicky

Mid-American Review reviews Women Up On Blocks

2010-11-30T08:27:00.000-08:00

Mid-American Review
Volume XXIX, Number 2
(Reproduced with permission.)

Women Up On Blocks: Stories by Mary Akers. Winston-Salem, North Carolina: Press 53, 2009. 160 pages. $14.00, paper.

The publisher’s note to Mary Akers’ debut collection of short stories describes it as an exploration of “the price women pay when they allow the roles of wife, mother, daughter, or lover to define them.” In each of these thirteen stories, we meet characters who are keenly aware of these limiting boundaries, and through Akers’ deft narrative strokes, we are able to experience their frustration, resignation, reconciliation.

For some of these characters, their expected roles have been imposed on them by a society that refuses to recognize and validate difference; the narrator of “Mooncalf,” a young woman afflicted by cerebral palsy who dares to dream of happiness in marriage and motherhood is a powerful illustration of this. Other characters have taken on their roles seemingly voluntarily, like the young wife in “Wild, Wild Horses,” who has chosen to give up on an education and a career in order to raise a family. However these stories suggest that there was no true freedom even at that moment of choice, and that these characters have always been stifled by expectations.

“The Rashomon Tree” is interesting because it highlighted for me the idea that I was part of the external world that was judging these women and attempting to put them into neat slots. The two principle characters in this story seem stereotypical—the ditsy hippy and the fundamentalist Christian—and the interactions they have with each other are headed toward expected antagonism. However, by the story’s conclusion, these two women reveal to themselves and to the reader the impossibility of predicting human behavior; though this life lesson did seem a little facile, the story is nevertheless charming, and is narrated through multiple perspectives that emphasize how easy it is to misinterpret one another. By using varies narrative techniques in this story as well as in others in the collection, Akers succeeds in keeping each story distinct and memorable. Her most striking talent is of creating suspense by piling on mundane details that take on a sense of urgency; in the opening story of the collection, “Medusa Song,” we witness a young mother growing increasingly agitated as she does normal household chores. When she puts the baby in the car and decides to drive down to the river in the rain, we follow along, breathless and worried, afraid of what she is capable of.

While these characters attempt to shuffle off societal expectations or at least come to realize how limiting they are, these stories also reveal that this recognition leaves these characters in a place of discomfort or uncertainty; they have had to confront aspects of themselves and others that they did not expect to find. While the metaphor for this uncomfortable self-awareness is perhaps too blatant in the story “Model Home,” which is set in a house that has mostly mirrors for walls, it succeeds in “Animo, Anima, Animus”—in this story, two women with their individual notions of propriety and sexual freedom gaze on each other with pity and revulsion, revealing to what extent they have misunderstood each other and themselves.

--Sruthi Thekkiam, University of Houston

Showcasing the Work of Tracy Crow

2010-10-26T15:30:00.000-07:00

This week at r.kv.r.y. quarterly, I blog about the selection process for Tracy Crow's fine essay in the Fall/Winter issue. It's a glimpse into the editorial process (for those of you who've always wondered how that works) and a chance to learn more about an excellent emerging writer.

Here's an excerpt:

I first became aware of Tracy Crow's work when I heard her read at an open mic night in downtown Charlotte, NC. The room was buzzing with the kind of noise that a bar on a Saturday night generates and I was preparing to be that person--the one who gives a loud "Shhhh!" to try to quiet down the room--but I didn't get the chance. Tracy walked on stage and the first wave of noise quieted. She's got a commanding presence thanks to an utterly appealing combination of runway model looks and Marine Corps officer panache. Half of the barflies immediately shut their mouths or dropped them open in awe. Then she started reading and the other half quickly followed suit.

Her marvelous essay can be read here: What I can Tell You Now.

My Kindergarten Driver Safety Class

2010-10-21T08:12:00.000-07:00

Last night my husband and I completed a six-hour driver's safety class, taken in order to receive a discount on our auto insurance. It was an eye opener, and I don't mean the content of the course. I guess I'm naive, but I tend to assume that the majority of people in my town are educated, more-or-less healthy, clean themselves regularly, know the basics of polite discussion...but events like these really make me wonder.

I've surmised that there must be a lot of people in the world who have no one they can talk to. The instructor would ask if there were any questions and time and again someone from the class would raise a hand then launch into a long, rambling description of their own experience of hitting a deer, or some obscure feature of a car they once owned, or their fears regarding all the bad, other drivers on the road (not them, of course). I could just hear my mother the Kindergarten teacher (after asking for questions) gently reminding an overly talkative student: "Have you got a question for me, Johnny?" or "Can you make that into a question, Abigail?"

And the guy who sat beside us? It was a miracle he was even alive, much less driving around. He sounded like he was drowning when he exhaled loudly, which he did often. The rest of the time he was either breathing like Darth Vadar or snoring in his chair, slumped down, hands resting on an enormously round, distended beer belly. Oh, and he also smelled very much like cat piss. Old cat piss. The woman on the other side of him kept moving her chair farther away and holding a tissue up to her nose.

There was a truck driver there, who really couldn't contain himself and kept blurting out the answers that he knew before the instructor could say them himself or even ask a question. Often he'd get so ahead of himself (Kindergarten class again) that he'd start to blurt out the answer that he knew he had somewhere back in the recesses of his mind, only it wouldn't come, so he'd interrupt the instructor with, "Oh! Yeah! The clutch--but the--and then---yeah..." and run a hand down his face and over his beard. Amazingly, the embarrassment didn't stop him from doing the same thing every five minutes or so.

And I don't know if it was my bored mind "going there" or not, but all of the sudden everything the instructor said was sexual. He kept talking about pumping and pumping harder on the brake pedal, then repeatedly rubbed two fingers side to side in a hole created by his other hand to show how to pump gas properly, and then kept referring to the transmission as the "tranny." Example: "You'd be better off stripping your tranny than crashing." But, yeah, it was probably just me.

Negative Scripts

2010-10-15T07:42:00.000-07:00

I've passed a good couple of weeks as a writer. The writing life (at least for me) most often involves alternating periods of boom-bust, feast-famine, mania-depression...choose your metaphor, but the fact is we writers often go through long periods of working away quietly at the desk with nothing from the outside world, followed by intense bursts of activity, publicity, and scrutiny.

Summer was basically my "fallow" period and now things are ratcheting back up. I like both states, but I've had enough of being fallow for a while so the activity suits me. At the beginning of October, my co-author Andrew Bienkowski and I had a great book club meeting in Niagara Falls. Great food, great discussion, and some really engaged and astute readers. We also sold a lot of books, which always amazes me at book club events, because all the people attending have already purchased and read the book. So it means they liked it enough to buy copies to share with others. Truly, we are blessed to have such supportive and generous readers.

Later that week I was on a panel at the Erie County Library discussing the influence of Poe on popular culture. Poe's work influenced me a great deal, so it was wonderful to have a chance to talk about the man and his work. Oh, and we even received an honorarium from the library. A very nice surprise, that.

I had to order more books this week, always a good sign. :)

A piece of historical fiction of mine (about a devastating forest fire in the Adirondacks in 1903) just went live at Lacuna: A Day for Burying.

My short story Christmas in Phuket which Literary mama published earlier this year was nominated for Dzanc's Best of the Web 2011, an honor, for sure. And especially heartening as it's part of the marine ecology themed collection that I'm hoping to find a publisher for soon.

I attended an amazing lecture by Her Deepness, Sylvia Earle, Ocean Ambassador. What a generous, expansive, clear-eyed speaker. And she spoke completely without notes. When I grow up, I want to be her. Okay, a cross between Margaret Atwood and her. That's my plan, anyway.

I had a story accepted for an ocean anthology, the proceeds of which will go to help fund the ocean studies of SCRIPPS--excellent, that.

But amid all of these positive accomplishments, I find that I still have negative scripts perpetually running in the background of my brain. It's all too easy to highlight the rejections and downplay the acceptances, the affirmations. And McKenna Donovan talks about this very tendency in a series of ongoing posts at her blog: Negative Scripts--Part II. I participated, as did a number of authors whose work I admire. It's a good reminder that no matter how successful we writers may appear to the outside world, there are always demons we find ourselves are forced to confront.

Jeffery Hess at r.kv.r.y.

2010-10-04T09:58:00.000-07:00

Check out the r.kv.r.y. blog where I talk about the creative work of Jeff Hess and how his story ended up in this issue of r.kv.r.y..

Clicky

Here's an excerpt:

I first met Jeffery Hess (Weight of the Moment) in 2003, in Charlotte, North Carolina at Queens University. It was the year I was teaching my graduate craft class and he was in the audience as a first year MFA student. I noticed him right away, partly because the male-to-female ratio in our MFA program was pretty low, and mostly because he was listening intently, nodding, and taking notes.

Showcasing Jim Ruland's work

2010-09-29T09:30:00.001-07:00

This week at the r.kv.r.y. blog, we're showcasing Jim Ruland's work.

Clicky

My first issue as editor is up!

2010-09-21T10:43:00.001-07:00

Well, r.kv.r.y.'s fall/winter issue is now live! (A little early, but I can't hold back so you get a sneak peak). I am so proud of the work in this issue, and I didn't write a word of it! There are some really fine pieces here and each piece has its own custom-designed artwork to accompany it. Dawn Estrin is the very talented artist who adopted this issue for us and put so many hours into it.

Special thanks to Victoria Pynchon who created this fine journal and saw fit to pass the torch on to me. :)

r.kv.r.y quarterly literary journal

2010-08-03T06:34:00.000-07:00

I am very excited to announce that I'll be taking over as editor of the fine, fine literary journal r.kv.r.y. October will be my first issue and I've already received some excellent submissions. Can't wait to see it all come together!

Literary Mama!

2010-07-18T07:58:00.000-07:00

I'm thrilled and honored to have a new story up at Literary Mama, one of my very favorite ezines.

Author Exposure Review

2010-07-08T09:45:00.000-07:00

I just came across an amazing, generous and thorough review of my short story collection by Joan Hanna over at Author Exposure. What a gift! I *heart* readers. (Check out Joan's blog and read some of her lovely lyrical poetry there.)

Excerpt:

"The women in these thirteen short stories will resonate with you long after you read this book. You will wonder about them as if they were your neighbors. You will even feel the urge to call them to make sure they are okay. Akers has imparted a fearless, fully-explored series of stories about how women try to break out of their emotional prisons in a way that will even touch readers who have nothing in common with these women."

The Buffalo Book Fair

2010-07-08T07:50:00.001-07:00

Got my tent, got my posters, got my money box, got loads of books to sell, know what I'm reading, pretty sure what I'm wearing (subject, always, to last minute changes), got my maps printed out. I think I'm ready. Hope to see you at the Buffalo Book Fair this Saturday! (If you're at Taste of Buffalo, we're only a block away--come on over!)

The Bounty of a Generous Heart

2010-06-23T18:15:00.000-07:00

My co-author Andy Bienkowski was interviewed at New Dimensions Radio back in March and they have produced a wonderful hour-long show which you can listen to on June 30th, or download at their Website, Andy is a marvelous speaker. Enjoy!

IN THE WIDENING GULF BETWEEN SORROW AND ANGER

2010-06-17T08:00:00.000-07:00

I am an environmentalist who has studied the ocean and her creatures for more than thirty years. Though not strictly a scientist, my voice is as valid as a voice that calculates, quantifies, measures, and speaks with the authority of an advanced degree. We need facts, yes, we need analysis, but we also need emotion. We need to hear the voice of the ocean, measure with the calipers of our embracing arms, quantify with the beakers of our imperfect hearts.

As the world’s ninth largest body of water, the Gulf of Mexico does more than provide Americans with shrimp and oysters and petroleum. The Gulf’s waters, their flora and fauna, help to regulate the earth’s oxygen, climate, weather, and the rainfall we do or do not receive. For every breath you take, for every sip of water, you can thank the oceans of the world.

The most frustrating aspect of this environmental catastrophe is that it did not have to happen. It was entirely avoidable. When we started drilling a mile down, at the bottom of the unpredictable ocean, we knew we were walking in a dangerous neighborhood. We should have had emergency plans and backup plans, tested and proven and solidly in place before the first drill dropped below the surface. Even better, we should have never been there at all.

Sadly, pre-emergency planning is now moot for this spill. We must propel ourselves quickly into dealing with the aftermath. And the aftermath of catastrophe is never pretty. This is not President Obama’s Katrina, as some have said, this is his Chernobyl.

In addition to allowing BP to direct the cleanup efforts, we have given them carte blanche to choose which dispersant they employ to treat the spill, and—big surprise—they chose a dispersant (ironically named Corexit, said: “Corrects it”) that is manufactured by a company with which BP and Exxon both share close ties. Conflict of interest much? Adding toxicity to economic-and-environmental-injury, Corexit is a petroleum-based dispersant (there are less-toxic, water-based dispersants available, just not in the quantities BP claims it needs).

At the time of this writing, over a million gallons of dispersant have been sprayed over the surface of the Gulf or spewed into the deep ocean at the site of the spill—an even more environmentally risky area, as we have no evidence that oil-eating bacteria can function in deeper, colder waters. But I’ve moved too quickly here. I want you to go back and sit with that number for a moment: 1,000,000 gallons.

Scientists have never studied the environmental effects of dispersants used in concentrations this high. We do not know what we are doing, even as we are doing it.

BP asserts that the dispersants are non-toxic. Any toxicologist will tell you, though, that it’s the dose that makes the poison. Most substances are toxic when ingested in large enough quantities. Drink too much alcohol, and you can die. Drink too much caffeinated coffee, and you can die. Drink too much water and, yes, you can even die from that.

Dispersants make the oil spill look better from the air, from the coastline, for the cameras, which benefits BP. They break up the massive sheen of oil on the surface. They mean fewer shots of birds floundering helplessly, mired in oil. They break up the oil, yes, but dispersants do not change the quantity of oil in the water; they simply cause it to collect in smaller and smaller aggregates, rendering it largely irretrievable.

I am deeply concerned that dispersants not only spread the oil farther and wider, but also add another chemical to the water, to an environment that is already extraordinarily stressed by millions of gallons of crude. The warning label for Corexit cautions that it is an eye and skin irritant. It is harmful when inhaled and when it comes into contact with skin. If swallowed, it may cause injury to red blood cells, to kidneys or to the liver. Humans should not take Corexit internally, but sensitive marine mammals, fishes, sponges, corals, turtles and jellyfish are all swallowing it. They are soaking in it. They are breathing it.

Meanwhile, the minute-but-essential creatures in the Gulf of Mexico (phytoplankton, zooplankton, bacteria) are being killed invisibly, beneath the surface, away from the cameras, but no less dramatically. Even the larger fish and marine mammals that are killed will likely plunge to the deep sea floor after they die—completely outside our field of vision.

The birds and mammals at least have a chance of avoiding the oil. And it is possible to clean and relocate them (although the jury is still out on the effectiveness of that strategy). But millions of tiny sea-dwelling creatures in the Gulf have nowhere else to go. If the poisonous oil doesn’t reach them, the dissolved dispersants will.

Right now, billions of fragile eggs and larvae of the bluefin tuna (that spawn only in the Gulf and only at this time of year) are floating in the top ten to fifteen feet of the water column, along with billions of droplets of oil and dissolved dispersant. The very same bluefin who are already in danger from overfishing fueled by our insatiable appetite for sushi. No one knows what effect the oil will have on this critical bluefin nursery, on this threatened species.

But perhaps most compromised of all are the sensitive sessile creatures, unable to move away, unable to avoid the oil. No one is talking about the sponges that are animals, too, but are fixed to the substrate and will filter this poisoned seawater through their bodies twenty-four hours a day. And what about the fragile corals, already threatened by human activity in the form of effluent discharge and agricultural runoff from hotels, farms, golf courses, and cruise ships? The Florida Keys are home to North America’s only tropical coral reef system. The only one.

Dispersants are not a fix-all; to avoid environmental collapse of the Gulf we must halt their subsurface use and carefully target their limited surface use to areas (such as coastlines), where the benefits outweigh the risks.

The tragedy incurred by Louisiana’s residents, the blow dealt to their wetlands and marshes is already unfathomable. And yet, like that first levee breached during hurricane Katrina, or those first few moments when the ground trembled and shook in Haiti, this is only the beginning of a much larger tragedy that will be felt for years, for decades, perhaps even for centuries to come.

IPPY gold!!

2010-05-14T05:53:00.000-07:00

Just woke up this morning to the news that Women Up On Blocks won the IPPY gold medal in the Short Story category. Thanks so much to Kevin Watson and his amazing Press 53 for making this possible!!

German edition!

2010-04-23T08:00:00.000-07:00

I've just received my author copies of our German version of One Life to Give, and it is stunning. Thanks so much to dtv for making such a lovely version of our book!

Buffalo Book Fair!

2010-03-26T04:53:00.000-07:00

Come visit us at the Buffalo Book Fair this Saturday from noon to 6pm at the Karpeles Manuscript Museum at 453 Porter Avenue. We'll be signing books and talking to readers. Hope to see you there!

A Disobedient Girl by Ru Freeman

2010-03-23T09:16:00.000-07:00

Ru Freeman’s gorgeous debut novel A Disobedient Girl opens with eleven-year-old Latha enjoying her daily indulgence—an afternoon wash at the well using a rose-scented soap. The soap is a symbol of status and she has stolen it from the Vithanages, a family raising her to be a servant for Thara, their same-age daughter. The two young girls become as close as sisters, but as the years pass and Latha’s duties to Thara increase, she begins to bristle in her role as servant. When she and Thara flirt with a pair of local boys, Ajith and Gehan, the obvious class disparities rise to the surface and Latha fumes with resentment. Thara proclaims Ajith her ideal mate and Latha comes to care for Gehan, a gentle, lower-caste boy who obviously cares for her. But the course of love (as they say) never runs smoothly and the romantic lives of Latha and Thara are no exception. A simple desire to show that she is more than just a servant girl, and to be rewarded for her years of service, sets Latha on a path that will affect the lives of everyone she touches.

Throughout the novel, Latha and Thara’s story parallels that of Biso, a young mother of three who flees an abusive husband as well as a scandal in her small village that she helped to create. How these two stories will intersect is unclear for much of the book, but the author’s steady hand and gorgeous prose lead us along with full confidence that they will eventually come together. A pair of gold earrings, a red sports car, and a series of mysterious explosions give us tantalizing glimpses along the way, but things are never quite what they seem. And the life-changing secrets that bind these women together are the very secrets that tear their lives apart. Moving with the characters through love lost and love gained, through surprise insights and tragic misunderstandings, the reader is enticed forward to a thrilling denouement that is the perfect combination of shock and sudden understanding. Days later, I’m still savoring the bittersweet longing delivered by A Disobedient Girl’s exquisitely resonant final chapter.

Who Owns Our Truths?

2010-03-22T07:21:00.001-07:00

An excellent essay by Susan Henderson over at The Nervous Breakdown.

5 quick horror stories for authors

2010-03-18T14:35:00.000-07:00

First, let me say that I've had plenty of amazing audiences and great experiences reading. This isn't about wallowing in the hard life of an author. I'm lucky, I know that. What I mean to do is share a few awkward reading stories in the spirit of fun. So here's a recap of five of the more nightmarish ones, in no particular order:

1) The readings I gave with Bronchitis (in Texas) are right up there...I'll lump them all together because the whole week was a blur, anyway. I was away from home, sick, and expected to socialize after it took everything I had to read without coughing, to force my battered voice to be loud (again!) without a microphone. That was also when I got viral induced asthma that made me think I was dying. Generally a whole big barrel of laughs.

2) The reading at a small feminist bookstore was sort of fun in an awful way--with all of two people in attendance and the Madonna of lesbian porn looking over my shoulder as I read.

3) There was that reading at a Polish conference where...well...not to overshare, but Aunt Flo made an unexpected visit and I had NOTHING in my purse, and so I'm desperately feeding quarters into a broken down machine that turned out to be empty, (while a line forms outside the door), and I'm wearing the absolutely wrong undergarments for this whole enterprise anyway...and well, that one was nightmare #3.

4) The reading to the "writers group" that told me only after I'd said yes that they meet at a Waffle House in Buffalo and so I had something like fried liver and onions and sat beside the only "published author" who had written and self-published the story of his mother's cat (or some such) and we read while the waitresses all cleaned up around us, clanking dishes and walking in between us as we read, and not one person bought a book but everyone was crazy talking endlessly about themselves and their projects and standing too close while talking earnestly and rapidly, even talking while following me out to my car.

5) But today may have taken the cake. (Here's a quirky preamble: I decided to run a quick mile on the treadmill before getting ready--take the edge off my nerves. As I'm running, I entertain this morbid fantasy about tripping and knocking my front teeth out and then giving a toothless reading. Haha, right?) So, I shower and try on ten different outfits before I settle on the right one, change shoes (and socks) four times, print out directions, and then go, narrowly missing a collision when Humboldt Parkway--on which I need to turn--is UNMARKED and I dash across two lanes of traffic to get there (sorry white Corolla). The reading is for a group of Western, NY Food Bank folks, and is to take place after lunch (served by them). Always careful about what I eat immediately before giving a reading, I take a bit of salad and a tuna salad croissant. That seems safe. As I'm eating the salad, though, I crunch down on a rock (or something) and get the heebie-jeebies (I'm really fond of my whole, healthy teeth), but everything seems okay, so I take the rock out (which is oddly white and shiny) and set it on my plate and keep eating. Then I take a nice cold drink of Sprite and HOLY CRAP! That was no rock, that was what was left of my tooth and now I have this bizarre, jagged hole that my tongue keeps finding and obsessing over and this Buddhist monk is talking to me very intently about something and I can't hear a word he's saying because my brain is screaming TOOTHTOOTHTOOTHohmygodTOOTH and I have to go on in less than five minutes. So I excuse myself and go the bathroom and check the mirror (sigh) and quickly call my husband to see if he can get me an appointment at the dentist for tomorrow morning, and then I perform with this half-tooth distracting me with its sharp edges and aching pain and I'm certain I'm now lisping and every time I take a big deep breath at the end of a paragraph, yowza! I muddled through it, but I was not at my best and really just wanted to curl up in the corner and cry for my poor little lost tooth. (I still have it in my pocket. It's so pretty.)

The things we do because the show must go on...So...come on. Someone must have something bigger and more horrendous to cheer me up with...please?

Margaret Atwood Speaks in Buffalo

2010-03-05T04:46:00.000-08:00

Okay, so I'll just start by admitting that I'm a rabid fan and apologize in advance for my slavering and blathering...

From the start, when the divine Ms. Atwood came on stage, it was clear that she would be sharp and charming and self-deprecating. She talked about how Buffalo, when she was growing up in Toronto, was called "Sin City" because you could see girly shows and drink alcohol at a younger age than you could in Canada (it's the other way around now). She joked about the Canadian slogan for the Olympics: "Own the Podium." Said it wasn't very Canadian at all. More Canadian would have been, "A little podium would be nice" or "I wouldn't say no to a bit of podium, eh?" She said she was reminded of the old joke, "What does a Canadian woman say when asked if she would like some sex?" Answer: "Only if you're having some yourself."

Her format for the lecture was to tell us the most frequently asked questions she has gotten from audiences over the years and then answer them. Here are a few:

1) Is your hair naturally like that (very curly!) or do you have it done that way?

She said a lot of things in response to that, but the most memorable was, "If I were having it done, do you honestly think I would have them do this?"

2) Why have you denied that The Handmaid's Tale and your other futurist stories are Science Fiction? And are you disparaging Science Fiction when you say this? Oh, and by the way, did you like the movie Avatar?

Yes, she liked Avatar. And she said that she refers to those futurist works of hers as "Speculative Fiction" because they involve humans, they happen in this world (on earth), and they involve technology that we are currently working to perfect or that is possible in the future, given what we know today. Most sci-fi takes place on alternate worlds with creatures very different from ourselves. She said if forced, she could put everything under a Sci-Fi umbrella with three main ribs: Fantasy, the type of writing that often involves dragons and unicorns and swords; Science Fiction that might involve frog-men from Mars, or giant blue-ish hued people with very strange tails; and Speculative Fiction that often involves a future-world that is within our grasp and imagination.

(This was all very useful to me, as the near-future dystopia that I'm writing would fit the Speculative Fiction label. I plan to use that in my future query letter.)

3) Do you like men? And the related, do men like you?

She said yes, she likes men, and as for the other question, why not ask the men? Although she knows that some of the younger ones claim to like her, just so they can get into the good graces of the young women they are interested in.

4) Are you a pessimist?

I loved her answer here. She said that no writer could ever accurately be termed a pessimist. The very act of writing is a supreme example of being hopeful. The road is so long and the horizon so far away when you first begin (you must write and revise the book, then find an agent, then find a publisher, then hope that it sells, then hope that readers and reviewers will like it...). Every writer is full of hope.

And she went on to more specifics of her hopefulness, but that first answer was the bomb.

And there were more, but I'll move on to some of the other bits that interested me.

She said never let anyone tell you that the arts are unnecessary. They are as important to human growth as breathing. To illustrate that point, she asked us to think about the creative things that kids do on their own before they ever start to attend school: they acquire language, dance, sing, draw, and color. (Brilliant.)

When asked who she reads, she said some of her favorites are Alice Munro and Hilary Mantel, and she recently read two forthcoming books by Yann Martel and E. O. Wilson in galley form. She liked them both.

When asked which one of her characters she was most like, she said Zenia, the compulsive liar (storyteller) from The Robber Bride.

When asked about the future of paper books vs. e-readers, she said that e-readers are lovely for some things, travel for instance, and aging eyes since you can enlarge the print and brighten the background, but that she doesn't believe that books will ever go away completely because the inherent storage risks are too great. Relying on a power source, surviving being dropped...in such ways books will always be superior. To illustrate this point she said, "Let me ask you this. Would you keep the only copy of your will on a computer?"

And lastly, when asked for a tip on sparking inspiration, she said, "I have the perfect way to inspire you to write. I promise it will work every time. It's foolproof. Are you listening? All right. First, put your right hand (or whichever hand you write with) onto your desk, on a piece of paper. Next, lift your left hand into the air. And now, hold your arm up in the air until you are inspired to write. Trust me, it works every time."

St George's Catholic Church

2010-03-03T05:45:00.001-08:00

My co-author and I had a great event this past Sunday at St. George's Church in Buffalo. Our audience was delightful (an Over 55 group) and Andy kept joking that he was holding out for an "Over 75" group. They were attentive and receptive and bought all of the books we had brought with us. it was a lovely afternoon.

Coming up, two days at St. Joseph's Collegiate Academy next week, and the Buffalo Book Fair on March 27th. Should be fun!

Laura Kasischke at Willow Springs

2010-01-26T10:03:00.000-08:00

There's a great, short interview with Laura Kasischke over at Willow Springs. I so admire her work, and the way she elegantly and expertly crosses genres.

Clicky

Foreword Magazine

2010-01-13T06:41:00.000-08:00

Foreword Magazine has given One Life to Give an excellent, generous review. Thank you, Foreword!!

One Life to Give review

Mississippi Review Online

2010-01-09T07:40:00.000-08:00

The current issue is all flash fiction, guest edited by Kim Chinquee. Some excellent work, and I'm proud to have my work rubbing elbows with all the talent in this issue.

Mississippi Review Online

Review for One Life to Give

2010-01-02T13:04:00.000-08:00

Thanks so much to Clifford Garstang over at Perpetual Folly for the kind review of One Life to Give!

Interview

2009-12-18T07:54:00.000-08:00

I have an interview up at the Storyglossia blog: Clicky.

Thank you, Storyglossia!

Storyglossia!!

2009-12-12T07:00:00.001-08:00

Thrilled to have my short story "Bones of an Inland Sea" published in the December issue of Storyglossia just out!

We have a German cover!

2009-12-01T06:56:00.001-08:00

The title translates to:

THE GIFT OF MY LIFE: How hard times can give us hope and strength

Rest In Peace, Tangie

2009-11-20T05:57:00.000-08:00

For a few years in the 1980s, Tangie and I were best friends. I can't even remember how we met, now. The high school marching band, perhaps? She was in the rifle corps and encouraged me to try out, too, after which we practiced together every day. She slept over at my house, I slept over at hers. We celebrated our sweet sixteen birthdays together.

I remember a lot of things about staying over at Tangie's house. I remember how loudly her mother snored--I woke up terrified that some animal had gotten into the house and when I woke Tangie to tell her, she laughed and laughed at my silliness. One of her chores was to drive trash down the road to the greenboxes--at the age of fifteen--she was secure in her driving abilities before I had even dreamed of getting behind the wheel. I was awed. Then she was the first person my age to get a job. She worked at a local fast food drive-in in our small home town, then took that knowledge home, making perfect hamburgers by pressing ground meat into a circular form in the frying pan. Her matter-of-fact, real-life abilities amazed me.

Her circumstances had forced her to grow up quickly and she took on the responsibilities of an adult life just as quickly. She was married a few days after our high school graduation, with her first child born after nine months and her second a few years later. She was always the friend who pushed ahead with life, doing things first, being the first to grow up. And yet she didn't really grow up--not in the sense of being cynical and hardened. Something about Tangie always remained childlike, in the best sense of the word. She could summon such awe-filled wonder for the simplest pleasures in life. She could be so grateful for even the smallest kindness. She would do anything for a friend.

But there was a sadness to Tangie, a side she didn't like to show, but that was always there, just below the surface. Talk about someone else's suffering, or an animal that had been abused, or a child halfway around the world who didn't have enough food, and it would well up and spill over, right before your eyes. She had one of the softest, kindest hearts I'd ever known. She was forgiving to a fault.

She also suffered. A lot. It isn't always easy to see how we have made our own difficult circumstances, and for Tangie it was no different. The words I heard most during our marathon phone calls in high school and beyond were, "I just want to be happy." A simple, plaintive wish.

I just wanted her to be happy, too. Most of us did. She deserved to be happy. She gave so much.

But maybe she gave too much. Maybe she opened the door to too many strangers, took in too many strays, believed too many hard-luck stories, because the burdens she accepted from others weighed heavy on her soul. I believe this. And I never knew how to tell her not to take on so much sadness, to reject the sorrow and embrace the good. I didn't have the words to reach her, and for that I will always have my own tight burden of sorrow. I'm sorry, Tangie. I loved you, but I could not help you.

You are the friend who always dove in, headfirst, the one who paved the way...Even in this. Godspeed, my friend.

Thank you Oprah...

2009-11-10T09:03:00.000-08:00

...for, among other things, defending the short story! She speaks about not always needing to have every story neatly tied up and that the mystery of "whatever happened to that character" is what makes it especially memorable. Amen!

Clicky (The part I love is right at the 3-minute mark.)

The Maybe Dialogue, Final Installment

2009-10-23T07:21:00.000-07:00

The last installment of the Maybe Dialogue between The Potomac Review and myself is now up. Thanks for reading.

Maybe Dialogue

Poof!

2009-10-21T07:18:00.000-07:00

Loved this story in Frigg by Kenneth Pobo:

Poof!

The Maybe Dialogue Begins

2009-10-15T15:56:00.000-07:00

Over at the Potomac Review blog we've started a discussion about a story of mine that they read and felt was a "maybe." It's a great glimpse into the editorial process. Check it out!

Robert Boswell reads...

2009-10-06T08:10:00.001-07:00

...from his marvelous short story collection The Heyday of the Insensitive Bastards over at Lively Words

Western Spaghetti

2009-09-21T08:54:00.000-07:00

I love this video.

New Trailer for One Life to Give

2009-09-08T06:47:00.000-07:00

Blazing Trailers

Cliff Garstang and In an Uncharted Country

2009-09-04T07:07:00.000-07:00

Cliff Garstang's debut collection of stories is on its way to all who preordered (me! Yay!) and his first official signing takes place tomorrow, in Staunton, VA.

There's a great write-up here.

The White Road turns one!

2009-09-01T07:13:00.000-07:00

Check out Tania Hershman's blog and while you're there leave a comment to be registered to win a copy of her wonderful short story collection The White Road! Good luck!

New Review for Women Up On Blocks

2009-08-30T09:59:00.000-07:00

Can be read here at an interesting new blog devoted exclusively to book reviews.

Here's an excerpt:

"WOMEN UP ON BLOCKS--The title itself conjures a powerful image. Set aside the immediate mental flash of stirrups and invasive annual examination. Look at the cover art (good shoes) because in this case you can judge a book yada yada yada. Like meandering by the tv in lingerie during playoffs, red shoes and good legs propped along a dirty bumper ought to get you noticed."

Our new cover!

2009-08-26T08:41:00.000-07:00

Our lovely new cover (and new title) for the NF book's US release has now been agreed upon! And you can even pre-order it at Amazon.

Bread Loaf Day #3

2009-08-25T08:14:00.000-07:00

Saturday, August 15, 2009

I barely made it to breakfast. While the waiters were lifting up the hot trays of eggs I was grabbing frantically for a hard-boiled egg and some plain oatmeal before they whisked everything away. On the plus side, when I went to wolf down my food, I ended up sitting right across from Julie Barer, agent extraordinaire, and we had a lovely chat. She did a great job of selling my friend Ru’s gorgeous debut novel A Disobedient Girl. And no, I didn’t do anything to pitch my work. We’ve met before at Bread Loaf and spoken about my work. She’s seen my first collection (the now-published one) and passed on it a few years ago, subsequent queries have not interested her, so no need to push that on our quick social interaction. I think agents must get terribly tired of always being pitched. She would have asked if she were interested--this is Bread Loaf, after all, and she is here as a scout.

Rushed to the 9AM lecture then, and I’m glad I did. It was Patricia Hampl’s “You’re History or How to Get the Me out of Memoir.” It was an excellent lecture/reading and she’s quite funny and charming. We’ve been having moth troubles for speakers at the podium this year and she kept battling with a particularly pesky one, at one point saying, “I. Want. You. To. Die,” through gritted teeth. Then she cheerfully looked out at the audience and said, “When you go to a Catholic retreat, they give you bug repellent. A Zen retreat, no repellent. That’s why I’m Catholic.” The audience laughed. As the bugging continued, a woman from the audience came up and put a paper towel (or something) on Patricia’s shoulder and said, “It will keep the bugs away.” Patricia then looked out at the audience sort of helplessly and said in a small voice, “I don’t want it,” as she dragged it off her shoulder. “I’ve got a look I’m going for here…” she added. It was a funny moment, and not at the expense of the woman who had put that dingy paper towel on her shoulder. The whole reading gave you a real sense of her as a likable, generous person.

At 2:30, I attended Frances de Pontes Peebles’s craft workshop on The Benefits of Telling. It was a good class, with a nice, easy atmosphere of sharing information. I like seeing how different people teach.

The Fellow readers were Vicki Forman (NF), Leslie Harrison (Poetry) and Skip Horack (Fiction). I enjoyed them all.

Dinner was served outdoors, picnic-style, to give the waiters a little break in the action. The food was really good. Focaccia, some wonderful potato salad, pasta salad, fantastic barbecued pork (my one meat indulgence for the time of my visit), watermelon, and some really yummy chocolate chip cookies. I sat on the ground with two friends and had an amazing discussion on lots of different topics, mostly related to publishing, agents, book ideas, future goals, and more. They helped generate some great ideas for me with my next project. I love collaborating at the idea stage. I hated for it to end, but the bugs started biting and the next reading was coming up.

Lauren Groff (Fiction), Jennifer Grotz (Poetry), and Tom Sleigh (Poetry) all gave wonderful readings. Lauren read from her new collection Delicate, Edible Birds, Jennifer read some kick-ass poems, and Tom Sleigh is just generally clever and funny and great to listen to. But, I did note one thing about me as a listener...I love hearing poets read their work, but I wish I could read it at the same time, or maybe hear each poem read twice...or something. I feel like I miss a lot. And readings in general get a little overwhelming when you go to every single one. I don't know how Michael Collier does it.

Immediately after that reading, came the first of the Staff readings, and we heard from Nina McConigley (Fiction), Ted Thompson (Fiction), Avery Slater (Poetry), Greg Wrenn (Poetry), Zachary Watterson (Fiction), Gerald Maa (Poetry), Christian Anton Gerard (Poetry), and Ru Freeman (Fiction). I so enjoyed this reading, for the content, but also for the nostalgia of it. These are people who started out as terrified waiters (most of them) and have grown so amazingly. I had a real Bread Loaf moment, thinking of how proud I was of them, and how far we’ve all come…also remembering my own first time reading in the Little Theater and how absolutely breathtakingly terrified I was. “And now look at us” was sort of the sentiment I was feeling. Also immense gratitude for the opportunity. Such a place. I had tears in my eyes when I went up to hug the readers.

After the reading, we gathered for drinks and I had a few more lovely conversations that I can’t now quite recall, but whose warm glow lingers even without the details. :)

Bread Loaf, day 2 (for me)

2009-08-20T14:57:00.000-07:00

Friday, August 14, 2009

The morning lecture was with Thomas Mallon, titled, “Epistler in Chief: Six Presidents in Their Letters.” He is such an engaging speaker, charming and funny and composed. I always love hearing him speak. And his topic was fascinating—presidential letters and diaries. Something that we (sadly) won’t have anymore because the concerns of subpoena and litigation are so real these days that presidents don't dare keep diaries or write personal letters.

Mallon started the lecture with a funny anecdote about revisions. Said he had already revised his title (to five presidents—to fit the time constraints) and cited a Mel Brooks gag where Moses arrives with a stack of three stone tablets and says, “The Fifteen Commandments!”—then shuffles his grip causing one tablet to fall to the ground and shatter—so he calls out, “The Ten Commandments!”

I loved the intimate glimpse into the lives of these great men from history. Oh, and the one thing that really stuck with me was when Mallon spoke about telegrams and their forced pithiness and quick delivery as being very much like the emails or even text messages of today. We tend to think that we’re the only generation to have this method of “instant delivery” and of “terse messages” meant to convey as much as possible in as few words as possible. That really woke me up in an “of course!” sort of way that will be useful when writing my historical novel.

Later, I attended a panel on publishing prose with Miriam Altschuler and Julie Barer (both agents), Fiona McCrae (Graywolf) and Judy Clain (Little Brown), both editors. It was interesting and enlightening, although also confirmed a lot of what I feel I already know about the publishing and agenting process. Much was said about how important a good agent is for an author both in terms of career and sales.

There were three Fellow readings in the afternoon. The readings were enjoyable, and also instructive—especially in terms of things I want to remember to do when I read (be personable, make eye contact, thank the host).

For dinner I had the veggie option: grilled veggies in a curried coconut milk sauce over basmati rice. A little spicy, but just the right amount, followed by a yummy dessert (squares of cake that had been cut into triangles, and half iced with chocolate, half with a caramel icing and then and reassembled into a square for a sort of yin-yang effect) and coffee. The waiters gave great service—really knew what they were doing and didn’t look nervous. Perhaps this means more aspiring writers these days are having to wait tables and so are experienced. Although, damn, I hate to even say “aspiring.” A bunch of the waiters this year have agents, and forthcoming books, and all sorts of awards under their belts. Holy cow the competition for those spots must be fierce. Really glad I got in under the wire. :)

The evening reading was Maud Casey and Ted Conover. Maud read from her new novel, an historical one, based on a real psychiatric patient from 1886—a man who walks and walks and walks and has various other problems, but mostly he just can’t stop walking. It sounds like a very interesting and entertaining book. And Ted Conover read non-fiction from his new book about Roads. That man is fearless in pursuit of material! I bought his book New Jack from the bookstore earlier in the day (a book that explores the prison system from the inside—he became a guard at Sing Sing to do research). I can’t wait to read it.

The second scholar reading was amazing. Wonderful stuff. From there, I went to the waiter party in the male waiters' quarters below the Barn (the Garage Mahal). Honestly, after a long day, I was done with NOISE and having to strain my voice to talk and my ears to hear, so I stayed for maybe ten minutes then left at midnight and walked back to my dark dorm, wiped off an Adirondack chair and sat in the dark, staring up at the amazing quantity of stars that one can see so far away from any city lights, and caught three or four meteors zipping across the sky (it’s the time of year that the Perseid meteors enter the atmosphere and burn up, sometimes as often as one every three minutes). Last night most of them were right over the handle of the big dipper, which itself seemed huge, immense, and close enough to touch.

Finally, I forced myself to go up to my room, opened and read the first few pages of Josh Weil’s first novella (from his book The New Valley) and then unable to keep my eyes open (no offense, Josh), turned out the light (it was very, very late), and slept.

In An Uncharted Country

2009-08-18T10:05:00.000-07:00

My good friend Cliff Garstang's debut short story collection is now available for pre-order at Press 53 It's a wonderful book set in the fictional town of Rugglesville, VA and I highly recommend it!

Bread Loaf!

2009-08-15T08:42:00.000-07:00

Bread Loaf, August 13, 2009

Should I make a disclaimer here? That I adore Bread Loaf and maybe I’m not the most unbiased reporter of happenings from the Mountain? Nah. If you didn't know that about me already, you’ll figure it out soon enough. :)

This is my first time returning to Bread Loaf in three years and I’m honored to be back, and thrilled (if a little nervous) to be teaching a craft class during my visit. But I have to say, the first moment I topped the long hill of Rt 125 and spied those goldenrod colored houses, well, I got a little verklempt.

Then I stopped in at the office said hello to the very fine Noreen Cargill and her lovely back-office staffers Eva, Michelle, and Laura (van den Berg) and major hugs were in order. I was barely in time to catch the end of Lorri Moore’s reading (what I heard was excellent) and then all of C. K. Williams. I wasn’t familiar with his poetry, but I thought he gave a great reading and I’m going to look for his book in the bookstore. It was cool when he said he had been here when he was in his twenties, met Robert Frost, and was honored to be reading in the Little Theater.

After that was the welcome reception, with cocktails on Treman Lawn, where I couldn’t stop finding excellent friends to hug: Ru Freeman, Paul Austin, Sasha West, James Hall, Kirsten Menger-Anderson, Jim Ruland, Heidi Durrow, and more. It was amazing to be back in one of my very favorite places, seeing friends that I hadn’t seen for years. Ahhh, the community of writers, my tribe.

From there, we went to dinner (I had the grilled salmon with a yummy cilantro and tomatillo salsa on top. I could hardly remember to eat, though, so enamored I was to be meeting new friends (Mecca!) and virtual friends (Dolan!) and former fellow-staffers (Nina!) and generally catching up with all the others I haven’t seen nearly enough of over the years. It was like a grand family reunion.

After dinner, there was a kick-ass reading by Lynn Freed (no surprise) and Alan Shapiro (also no surprise). Lynn’s story (can’t remember the title of it or if she even told us the title) was one she said she wrote especially for an anthology. Of course she read impeccably in her lilting and lovely South African tinged voice. The story rocked my world and I’m still thinking about it. It was about a young girl found wild in the bush, possibly raised by baboons and how she is “tamed” for sinister purposes. I was hooked from the start, then repelled to find out her fate, and just at the point of I-can’t-take-it-any-more, she flipped our expectations and brought the story around to a shocking and satisfying conclusion. Masterful.

Alan Shapiro gave a great reading. His first set of poems were autobiographical, set in the mid-to-late sixties, an then he read a couple about his brother and sister both dying from brain cancer within a few years of one another. Then he finished with some of his trademark funny poems. He’s a great reader.

After that, I sat in on the History of Bread Loaf lecture given by David Bain. His talk included lots of old black-and-white photos (Truman Capote, Eudora Welty, Carson McCullers, Robert Frost, etc), and I had one of those walking-in-the-footsteps-of-greatness moments where I was thinking about all the talent that has passed through this place and how blessed and honored I feel to be part of the new history of Bread Loaf. Amazing.

The Scholar readings came after that, and can I just say that my friend Jim Ruland rocked the house? He was so composed at the microphone, told a perfect anecdote before reading, made the audience laugh and thereby primed them to listen even more intently. He came across as personable, poised, and articulate. What more could we wish for as authors? It was great to be in the audience cheering him on.

I was pretty thoroughly hosed after the long drive and thrill of being on the mountain, so I walked through the absolute dense darkness to my dorm, which is off of the main campus, and slept soundly.

(More on day 2 soon)

Reading in Floyd

2009-07-30T11:40:00.001-07:00

Well, my reading at Floyd was fantastic. The library helped to publicize the event, provided refreshments, and had already set up the room when we got there a half-hour early. Very organized, they were. We had about 30 people attend (my mom did a lot of advance promotion, god bless her), which wasn't bad considering it was Floyd Fest weekend. I read my two shortest stories, then answered questions, then signed books. I got to hang with some great peeps from my high school years (see photo), and so many wonderful surprise guests, too. Two of my HS English teachers came (Clara Martin and Joyce Hall)! Clara brought copies of the school magazine from 1982 and 1983 that had work of mine in it! What a gift--she had to dig around in her basement in boxes to find those and bring them to me. I was thrilled and very touched. So many people I hadn't seen in years showed up--really just to support me. It was truly a wonderful afternoon. A big thank you to all who attended.

Almost heaven, Floyd, Virginia

2009-07-22T06:34:00.000-07:00

I leave tomorrow, to head to my favorite spot on the planet. I'll be at Floyd Fest on Friday, reading at the Floyd Library on Saturday (please come by at 2PM if you're in the area!), catching up with old friends, and soaking up enough Floyd vibes to last until my next visit, which can't come soon enough.

In the meantime, I've been meaning to mention that you can friend me on Facebook and follow me on Twitter--neither of which I will be doing much with over the next few weeks (after Floyd, I'll be on my glorious annual backpacking trip with my hubby), but you can follow just the same. :)

Oh, and will be doing a live interview on Blog Talk Radio's Garden of the Soul at 1PM today (6PM UK time) with my co-author about our book The Greatest Gift. Tune in if you get the chance!

Blast from the Past, courtesy of the world wide web

2009-07-17T06:22:00.000-07:00

I was just following a link to a post about writing and clicked on a blog with this picture:

And I knew it, instantly and instinctively. It's a closeup shot of the inside of the Bookbindery in Colonial Williamsburg. I am absolutely certain of it in the most visceral of ways. (I worked there as an historical interpreter for four years, so I wielded some of those tools, sat at that worktable, drank from that mug, stared out that window. I also worked as a potter at Historic Jamestown which made the salt-glazed stoneware in the photo, so if I didn't drink out of that mug, I might have made it.) It was a little freaky and startling to come upon that mini-tableau, out of the blue, after so many years of not thinking about that time in my life.

Do you have a story about stumbling across something on the web that gave you pause or resurfaced a memory?

A Declaration of Independents (bookstores, that is)

2009-07-04T08:20:00.000-07:00

The Short Review

2009-07-02T14:25:00.000-07:00

I'm honored and thrilled to have my short story collection Women Up On Blocks reviewed at an excellent website devoted exclusively to the literary short form. The Short Review

Rethink the Shark

2009-07-02T13:47:00.000-07:00

Website

2009-06-30T12:50:00.000-07:00

Okay, so I've been saying for years now that I need to get a professional website for my writing. I'm not a web designer by any stretch of the imagination, but I'm a big-time do-it-yourselfer. If I don't know how to do something, I want to learn. I read a bit about it, and then I dive in headfirst. That doesn't always provide me with the best results, but it does teach me a lot and keeps my mind fresh. If I go to a restaurant and like a dish, I go home and try to recreate it. If I get my hair cut and I hate it, I break out the scissors at home. If my clothing needs a nip or tuck to hang better, out come the needle and thread. I just like to do things myself and I like to have them done my way. My most common refrain is, "I bet I can do that." Don't know where such cheeky chutzpah comes from (I'm guessing from my father), but there it is.

And so, here is my newly created, still-evolving professional website thanks to a couple of looong sessions at GoDaddy.com.

Everything Matters!

2009-06-23T16:47:00.000-07:00

Ron Currie Jr.'s new novel is about to be released and--lucky you--you can download and read the first chapter over at his website for free.

Sotto Voce

2009-06-19T04:55:00.000-07:00

I am thrilled and honored to have my short story "Thunderstones" appear at Sotto Voce.

And at the end of the story, if you've liked it, you can vote to have it included in the annual print anthology. What a cool idea. Let the readers decide. :)

The Launch!!

2009-06-15T11:36:00.000-07:00

No, not the space shuttle--Women Up On Blocks! It may be three months post-publication, but this was the official party to celebrate the launch of my short story collection.

Signing books. There are bright red shoes you can't see, and matching bright red shoe earrings.

The launch started at 6PM. The signature drink--The Red Stiletto--had its own table and looked great: fancy martini glasses (long stemmed, with crooked, blue glass stems), a tub of ice with pitchers of red stilettos and my postcards with the recipe on them. It's a yummy and beautiful drink, garnished with a fresh red raspberry. Recipe here. (Scroll down the page.)

I ended up reading at about 6:30, because we wanted there to be time for desserts and signing. It turned out to be a good decision. The door prizes were well-received. At least one woman yelled "whoo hoo!" and threw her arms in the air when her number was called. :)

Then I read for about 20 minutes. People had to gather in, the chairs were filled, the stairs to the loft were packed with people sitting close together on them, the hearth had people sitting on it, and some were standing. Afterward, there were a number of excellent questions and comments. Desserts were lovely: cake squares, cheesecake, a lovely, fresh trifle, and a silver-tiered stand of various cookies. (I didn't see any of this for quite a while because I was signing books and talking to people.)

Here's the location from the outside, the beautiful, historic Roycroft Campus in East Aurora, NY. A big thanks to Christine Peters, Martha Augate, and their amazing staff for hosting such a lovely event.

It was all over so quickly, I felt like Cinderella not wanting that midnight bell to chime. Wait! Everyone's leaving?? I'm just starting to enjoy myself!

It took a lot of work and planning, but it was worth every minute. Thanks to all those who attended. :)

Oceana and Ted Danson

2009-06-09T05:12:00.001-07:00

Oceana is working with Ted Danson to save the world's oceans. CNN reports on their collaboration for World Ocean Day. Full article here.

Search for Downed Plane Highlights Ocean Trash Problem

2009-06-06T06:18:00.000-07:00

The tragic disappearance of Air France's Flight 447 has highlighted another, ongoing tragedy: the terrible pollution in the world's oceans. It's awful that it took a disaster of this magnitude to bring this important issue to the world stage, but if something good can come out of such a terrible loss, I'm hoping this is it.

CNN Website

Here is an excerpt:

"The search for signs of the Air France flight highlights what environmentalists say is a pressing issue for the world today: We produce a lot of trash that biodegrades slowly, and too much of it ends up in the ocean. Out at sea, plastics suffocate sea turtles and choke birds, which look at the bits of floating gunk as food.

Endangered sea turtles become entangled in discarded fishing line and also ingest plastic bags, like those from grocery stores, said Bamford.

"They love to eat jellyfish, and when they see a plastic bag it looks exactly like a jellyfish, basically," she said.

Still, scientists say they know relatively little about the scope of the problem and the effects that trash has on ocean life.

Finding answers to those unknowns is among the current initiatives of the National Oceanic and Atmospheric Administration, said Holly Bamford, director of the U.S. agency's marine debris program.

Enough is known about ocean trash to know that it's time to act, she said.

"It's a global problem. You can go do a collection almost anywhere and you'll probably come up with a piece of debris in your sample. The question is what all is out there and what is it doing," she said. "It's something that needs to be addressed."

Jessica Handler's Notes from the Road

2009-06-05T07:30:00.000-07:00

Mary has asked me to guest blog this week, and to talk a little bit about the evolution and execution of my book tour.

Let's start at Gate A 18, Hartsfield-Jackson International Airport, Atlanta; my hometown airport. I'm on my way to New York to participate in an author meet-and-greet to get my book Invisible Sisters: A Memoir considered for a series of book fairs. (Thanks to T. the Terrific Publicist, who got me hooked up with this event.)

My presentation will be timed, like speed dating. I've practiced the presentation with a stopwatch, tested it on friends, driven my patient husband a little crazy. I'm still not happy with my performance. Scrolling through my iPod while I wait to board, I discover that iPods have stopwatches.

I'll bet you already knew that.

This means I can practice on the plane. Quietly.

The playlist for when I wasn't timing and retiming myself?
In flight - Brian Eno 'Ambient.' (I was writing. I need lyrics-free music.)
In the terminal - David Lindley, 'El Rayo Ex.'.

As the April publication date for Invisible Sisters: A Memoir grew closer, I was told that, "The economy being what it is, and me being a new author--"
"Oh," I interrupted. "I understand." No big tour.

Truth is, I hadn't expected one--me being a new author and the economy being what it is...and when I signed the contract with my publisher, my agent advised me to put some money aside for travel. She was right. (She's always right. Seriously.)

T. the Publicist is great at getting my book into the hands of the press, to bookstores, to Websites, and to Book Festivals. But she wanted my suggestions about places where I can read and do author talks.

Places I can drive to.

Last month, M. and I drove to Asheville for an author talk at Malaprop's, about three hours away. We've always traveled well together, and road trips--what my sister Sarah called 'toad rips'-- become our together-time.

Asheville Playlist: Mofro, Johnny Cash, Jerry Lee Lewis, Sophie Madeleine,
John Lennon, Nichols and May.

Coming up? Winston-Salem. New playlist. New snacks. Call the cat sitter.

Soon? Ohio, Nashville, and more Atlanta events!

Am I tired? You bet. Am I happy? Heck, yeah. Do I know what day it is? Not always.

One of the best things about traveling to promote Invisible Sisters: A Memoir is reconnecting with friends and family all over the country, and making new friends, too. I've discovered how generous people can be. (They want to help you promote your book! They're readers and book lovers! They like to have dinner out!) S. has a big comfy couch and is walking distance to a great coffee shop. E. has a busy, multi-lingual household where I can nap mid-day and stay up late over dinner. J. knows a terrific tiny restaurant in her town that made room for twelve pals.

Friends bring friends to readings. Word of mouth sells books.

So here are my tips for your 'big book tour.'

Get enough sleep. Pack simple clothes. Take photos, draw, keep a journal.
Carry business cards or your book's postcards. Collect receipts for everything. Note your book-related mileage. Eavesdrop for fun. (The best eavesdropping so far? "The food's great at [redacted] but the feng shui is terrible!") Send postcards to your cat or dog at home. Ask friends to tell friends about your book. Buy something at the bookstores where you're reading, even if it's some note cards or a cup of coffee.

Send thank you notes.

Enjoy yourself.

Interview with Jeffery Hess

2009-05-31T17:44:00.000-07:00

Today I have the pleasure of interviewing Jeffery Hess, editor of the newly released anthology Home of the Brave: Stories in Uniform.

Mary Akers - Welcome to my blog, Jeff. :) Thanks for taking the time to share a little bit about your project and the processes that brought it to publication. To start with, could you tell us about the book?

Jeffery Hess - Among these stories you’ll find shipbuilders and sailors, pilots, wild dogs, battles—-both physical and emotional--misunderstandings, fistfights, and the wounds of unrequited love. There are parades and hurricanes, people getting high and some merely getting by, as well as the human sacrifices made, the losses endured, the hardships faced because of or in spite of some connection to the military. Each story is different in the way it approaches the lives of these individuals at certain points of the modern era, but each entertained, and challenged, and stayed with me.

MA - How did the idea for this anthology come to you? Did you discuss it with anyone before taking on the project?

JH - I began a writing workshop for military veterans a few years ago with the vision of one day doing an anthology of the students' writing. While at AWP in NYC, I discussed this idea with Sheryl Monks, then co-publisher at Press 53. She later emailed to ask if I’d be interested in co-editing an anthology of military writing with Sally Drumm who runs a tremendous workshop for veterans and their families in South Carolina. Sally had a strong vision for her non-fiction anthology and asked Press 53 if they’d be open to the idea of doing two separate anthologies, one fiction, one non-fiction. They liked this idea and so I was off and running. Sally’s anthology, by the way, is “Milspeak: Stories of Warriors, Veterans, Family, and Friends Writing the Military Experience” and will be released by Press 53 on the 4th of July.

My only prior experience with anthologies was reading and submitting to them. I sought the advice of Pinckney Benedict, who urged me to, “Do it!” He was fresh off of editing the first Surreal South anthology and assured me that I was capable and that I’d enjoy the process. I can definitely attest to the enjoyment I got from putting together this book.

MA - How long did the process take from conception to publication?

JH - The initial online chat was in March 2008, but I was busy adjuncting and running the veteran’s workshop, so I took time off from formal teaching and spent a full year on it until publication in May 2009.

In the beginning--what I call the honeymoon phase--I spent a lot of time reading and assembling a stack of stories. I put out the word to writer friends that I was looking for stories on military themes. When a story I wanted appeared in a book I had, I contacted the publisher. By June and July, I began receiving first drafts. This process was the most rewarding because I filled the role of editor. I say this with a great deal of pride because some of these stories went though nine or ten drafts. This gave me an opportunity to do for other writers what I wish an editor would do for me (rather than simply acquiring). Ushering these stories into the world in this way was tremendously gratifying. I was also very gratified to share the stories with my writing workshop--using several stories as examples.

I continued working on sequential drafts of new stories and contacting agents and publishers for reprint rights on existing stories (and when I say stories, I also mean to imply novel chapters as exemplified by the pieces by James Salter and Robert O’Connor).

The complete draft was due to the publisher on December 31st. This date seemed reasonable and far-distant when I suggested it in March. I wanted to wrap it up in one calendar year. As the date approached, Kevin Watson offered me a two-week reprieve, but I declined, promising to have the manuscript to him on time. If a baby can be conceived and delivered in under nine months, then surely a collection of stories should be.

I spent January to April reading proofs, checking for typos and scanning issues. During this time, I also applied increasing pressure to a few of the less motivated rights holders.

MA - With so many wonderful military stories out there, I imagine you had to establish your own sort of "selection process" from the beginning. Can you tell us what your criteria were? And did that change at all as you began assembling the stories?

JH - My selection process began with a wish list of stories that always stood out in my mind, some of the heavy hitters featured in the book, as well as a few (including your excellent story) from the journals I subscribe to.

Once again, Pinckney Benedict, the patron saint of my writing career, was there for me. In our initial conversation, he offered his permission to reprint his story that appears in the book. My only criteria in considering any story was that it somehow related to the military and that it stayed with me long after I finished reading. As a reader and writer, I’m a strong proponent of the MFA concept of Resonance. As an editor, I demanded it.

As far as changes that occurred along the way, some of the writers who committed were unable to meet the deadline. In other cases, agents or publishers declined permission to reprint. And sadly, I had to reject a number of truly great stories.

MA - How did you decide on story order? I've ordered two of my own short story collections and found the decision to be a mixture of "gut" and "grab." What was your process like?

JH - I had no idea how this book would take shape until I started receiving the first drafts. With America’s vast military history, I had to limit the time period somehow. I figured that readers would be most familiar with and connected to the periods between World War II and the current conflicts.

As the stories came in, I considered first and foremost the era to which they most closely related. Your story, for example, is set in the modern day, but involves a Vietnam vet who has flashbacks during the traumas of a hurricane. Despite the date in which the story is set, I wanted to group it with stories that involved other Vietnam vets. The more I thought about it, the more it made sense to me.

The book begins with a story in the height of World War II and ends with someone going off to join the fight of the current conflicts. That was a great scope for me. A time capsule, of sorts, rather than a strict chronology.

MA - How much input did your publisher have in the shaping of this anthology? Did you enjoy working with Press 53?

JH - I began working on it in earnest in May. Then Sheryl Monks contacted me to say that she was leaving Press 53, and while I understood her reasons, I worried that the book would die on the vine, so to speak. I knew Sheryl from grad school and liked and trusted her, but I'd never met Kevin Watson. From the first time I spoke with him, though, it seemed like we were old friends. He assured me that he was behind this project and instinctively I trusted his word. He worked tirelessly on this book and has been there every step of the way. Plus, he’s designed the best cover I could imagine. I’ll never forget the first mock-up he sent me. I was blown away. He shrugged off my praise, but there’s no denying how thrilled I was.

Kevin was tremendously helpful in all aspects of this project. He even introduced me to a couple of amazing writers I was not familiar with, but who had really great stuff and interesting bios. We didn’t meet in person until the book’s launch a year after our initial online chat, but as he did on the phone so many months prior, he made me feel as if we’d always been friends. That’s a rare skill that I admire and appreciate.

I’m a big fan of small presses and the books they publish. I’m happy to be associated with a quality publisher like Press 53. Despite the challenges of not having a huge marketing budget or major bookstore chain presence, I think a book like this has tremendous word-of-mouth appeal.

MA - A portion of each sale of Home of the Brave will go to USA Cares. Could you give us a brief description of the kinds of work they do and why it's important to you?

JH - Donating a potion of the proceeds is something that I always wanted to do. When I set out, I didn’t have a charity in mind. I’d researched on the internet, vetting all my candidates on a site that lists operating budgets and rates their viability, etc. But one day, while listening to the Dennis Miller radio show, I heard a guest named Kim Moorman talking about USA Cares (a non-profit 501(c)3 organization). She spoke eloquently about the amazing things her organization does for post 9/11 veterans. Back to the computer I went, did a little digging, and was suitably impressed. I sent an email stating who I was and what I had in mind. The reply I received (from the very woman I’d heard on the radio) was more warm and welcoming than I could have imagined. Subsequent phone conversations revealed that both Kim and the organization's director, Bill Nelson, work tirelessly to assist post 9/11 veterans and support veterans of all eras. Good people doing good things. I was sold.

The money this charity raises helps save homes from foreclosure and provides needed funds that allow people who suffer from post traumatic stress disorder to receive the treatment they so desperately need. To date, they have saved over 500 homes from foreclosure and have provided money to cover wages lost during the three-month treatment for PTSD.

MA - You've mentioned your creative writing workshop for veterans. How has that experience affected you personally? How has it shaped your own writing?

JH - Personally, it's been rewarding because they’re all so appreciative of the opportunity to gather and discuss writing. If any of the people in my workshop are reading this, they’ll tell you that I don’t accept compliments or praise very well. It’s not about me. It’s about them. And I enjoy sharing what I’ve been so fortunate to learn over the years.

My writing has been shaped like the old cliché that says the best way to learn something is by teaching it. In grad school, we learn terms and concepts and think we know them by the time we print our theses. But when I began leading the workshop, I gained an appreciation for the difference between cognition and recognition. For the better part of a year, I often drew from some of the fine stories in this anthology as examples to illustrate the points I tried to make. Doing so cemented the knowledge both for them and for me.

MA – This book, your Navy service, and the workshop you lead prove your affinity for the military. Do you also write about the military in your own work?

JH – Absolutely, though sometimes only peripherally. I have a number of short stories with current or former sailors as protagonists, and the novel I’m revising is about a Gulf War Recon Marine who falls into a suicide pact with a damaged woman shortly after his fortieth birthday.

MA – Of the 24 stories in this book, which is your favorite?

JH – My wife asked me the same question. Unfortunately it’s one that I couldn’t answer then, nor can I now. Not because of diplomatic reasons (anyone who knows me can attest to the fact that I’m neither smart enough nor PC enough for true diplomacy), but rather because each story in the book is my favorite in a different way. That may sound like a glib response from a parent about his children, but it is the case.

In putting together this book, I was able to select from a “wish list” of stories that I’d read sometimes ten years earlier. I also had the good fortune of assisting writers with the creation of new material. In all cases, I reread each story many, many times which revealed nuances and drew me closer to the characters.

MA – You mentioned earlier that there were reprint rights that you were unable to obtain. Can you elaborate on that?

JH – Yes. There were a couple who shall remain unnamed here, but I will say that the disappointment I’d felt at the time has been supplanted by my happiness with the finished book as it appears.

Home of the Brave: Stories in Uniform is available from the book’s website and also from Press 53 as well as online from all major booksellers. Please also ask for it at a quality independent bookstore near you.

About the editor: Jeffery Hess served six years in the U.S. Navy and holds a B.A. from the University of South Florida and an MFA from Queens University of Charlotte. He’s held writing positions at a major daily newspaper, a Fortune 500 company, and a university-based research center. In addition to corporate publications and websites, his writing has appeared in The Houston Literary Review, American Skating World, Writer’s Journal, and the Tampa Tribune. He lives in Florida where he’s completing a novel and leads a creative writing workshop for military veterans.

Dominica!!

2009-05-28T06:20:00.001-07:00

Dominica, my favorite island in the world, where I helped to found a marine ecology school has taken an amazing and brave step forward. For the first time in many years (ever?), Dominica has abstained from the vote to support commercial whaling in the Caribbean. Over the years, they have received a great deal of pressure along with many "gift-incentives" encouraging them to vote with Japan and support commercial whaling. To abstain is a huge big deal for them. Please consider sending a personal note to Prime Minister Skerrit to thank him. You can do that here.

EWN blogs about Home of the Brave: Stories in Uniform

2009-05-28T06:16:00.001-07:00

Over at Emerging Writers Network, Dan Wickett talks about the new anthology (which I am proud to be in): Home of the Brave: Stories in Uniform. I'm just reading my contributor copy now and it seriously ROCKS.

Review of Ron Rash's "Serena"

2009-05-19T06:05:00.000-07:00

Gently Read Literature has posted my review of Ron Rash's latest novel "Serena."

Five Star Literary Stories

2009-05-19T06:02:00.000-07:00

I've got a new review up at Five Star Literary Stories. "Gods for Sale" was an excellent story (written by Patricia O'Donnell) and was a pleasure to read and review.

May is short story month

2009-05-10T17:59:00.000-07:00

Over at the Emerging Writers Network. Check it out!

Sylvia Earle

2009-05-04T06:07:00.001-07:00

Delivers an excellent TED lecture about protecting the world's oceans. This woman has done so much to protect our ocean environment--love her. And I had the excellent good fortune to meet her in the 90s and even go on a night dive with her (and Hugh Downs) when 60 Minutes was filming on the Aquarius Undersea Habitat. Lucky me!

Review for Women Up On Blocks

2009-05-02T06:06:00.000-07:00

Katrina Denza offers a wonderful, generous review of Women Up On Blocks at her blog Illuminate, Ruminate, Create.

Who says high school reunions aren't fun?

2009-04-27T10:28:00.000-07:00

You just have to have them in the woods, by a creek, with the coolest people in the world. Then they're fun.

Review of Women Up On Blocks

2009-04-12T18:05:00.000-07:00

I am thrilled to have a most excellent review (my first!) appear in the Winston-Salem Journal for my short story collection Women Up On Blocks. You can read it (pretty please?) here.

Yippee!!

Spring? Not in the Adirondacks!

2009-04-12T17:54:00.000-07:00

We enjoyed a wonderful eight-and-a-half mile hike today to the Boquet River. Cold, but wonderful.

The Painted Word by Tom Wolfe

2009-03-31T04:59:00.000-07:00

The Painted Word is primarily a book about the rise of modern art—and art theory. (It also feels as if it’s a little bit about Tom Wolfe, too, but then, what book of his doesn’t feel that way?) Still, it’s an engaging read, filled with Wolfe’s studied observations and dripping with a detached bemusement toward the twisted subculture of art. Fortunately, The Painted Word is also filled with fascinating character sketches of the artists themselves. One of the most compelling—and oft repeated—arguments in the book is the notion that there are two key components necessary for the artist to attain lasting greatness: 1) The Boho Dance, in which the artist exhibits innovative work and struts his stuff amongst his peers all while showing utter disdain for the culture beyond the doors of his studio and 2) The Consummation, in which the culturati actually select the chosen artists to carry forth the standard of the movement-du-jour and the artist (albeit after some discreet hesitation) accepts the accolades and attention.

Wolfe argues that the artist who gets stuck in a crippling disdain for his audience, who cannot accept the offer to dance when it is made, is doomed to stagnation and will not be revered by history. Picasso, he argues, became Picasso, largely because he navigated the transition from one artistic stage to the other with ease. Perhaps, one is left to surmise, the secret to greatness lies not solely in talent, but in the ability to be gracious and accept the patron’s hand when proffered.

The only frustration for this reader—which may simply reflect my own ignorance of the book’s history—lay in having to wait until the end of the book to discover that I was reading a reissue of a book that was first published in 1975 (copyright page notwithstanding). As a result, no art or movement that has occurred since 1975 is mentioned. No discussion of the ways that the technological revolution will change the face of art history in the decades to come. No theorizing as to the Internet’s effects on broadening the horizons of the cloistered art scene. I kept hoping for that to be addressed, and was disappointed when it was not. Something as simple as Picador putting “Anniversary Edition” or “Heritage Printing” (or some other indicator of its age) on the cover would have saved me the pain of unrequited hope that turning that final page delivered. (Made worse by the fact that the “Epilogue”—hope, oh hope!—speaks about a time twenty-five years hence, in the year 2000. Oy! Give a poor reader some warning would you? An Epilogue, particularly if the edition is a new release and the writer is still alive, should not itself be 34 years out of date. At the very least, Picador should grant its readers this concession: Epilogue, 1975.)

Still the prose is sharp and lively and the vignettes featuring Pollock, Warhol, and Picasso and their benefactors are priceless. The clever chapter titles (would we expect any less from the man who penned The Kandy-Kolored Tangerine Flake Streamline Baby?) and Wolfe’s pen-and-ink drawings round out the entire package in an ironic art-meets-artist-meets-critic-meets-reader-meets-public sort of way.

Lynn Serafinn's Garden of the Soul

2009-03-11T19:20:00.000-07:00

Lynn Serafinn's beautiful new book The Garden of the Soul: lessons from four flowers that unearth the self empowers readers to understand fully that all the answers to the questions of our hearts lie within the simple stories of our own lives.

Coming April 7th, 2009

Watch the book trailer below and hear Lynn describe in her own words her reasons for writing this inspiring and entertaining book and what she hopes readers will gain from the experience of reading it.

And remember:

"You are already the hero of your own life."
--Lynn Serafinn

Yesterday, March 11th, the virtual blog tour began with
Debra Shiveley Welch's book announcement on her blog.

Tomorrow, March 13th, the blog tour continues when Katherine Reschke interviews Lynn on her Blog Talk Radio show The Passion Project at 12pmET talking about mindset and discovering one's self. Don't miss it!

Secret Son!!

2009-03-04T05:58:00.000-08:00

I can't wait to read this new book by my friend Laila Lalami. Watch the trailer, and then preorder the book! You won't be disappointed.

Our March 2nd Launch is here!!

2009-03-02T10:07:00.000-08:00

And the new cover is gorgeous! Thank you, S&S. :)
The Greatest Gift at Simon & Schuster UK, official publisher's site

Trailer for UK edition

2009-02-18T09:02:00.000-08:00

Here's the trailer for the UK edition of our non-fiction book, The Greatest Gift. Kim McDougall of Blazing Trailers did such a fantastic job. I especially love the ending. Thank you, Kim!

Signing and Shipping

2009-02-06T08:34:00.000-08:00

My boxes of books for the pre-order event arrived yesterday! What a thrill. Thank you to all who ordered. I'll be signing and shipping all day today. But first--priorities and all--I had to don the shoes and sit with the stacks.

We Women Globally

2009-02-04T06:45:00.000-08:00

I am honored to be featured at We Women Globally today, a site which focuses on the achievements of women worldwide.

There's still time!

2009-02-02T08:33:00.000-08:00

There's still time for you to order WOMEN UP ON BLOCKS from Press 53. These are signed, first-edition copies that will be mailed out by mid-February. (If you want them signed to a specific person, just email my publisher kevin@press53.com and he'll make sure we "get 'er done" to your specifications.) And thank you!

Brevity 29

2009-01-23T12:09:00.000-08:00

I do love Brevity. They publish some very fine work, and their latest issue is no exception.

Brevity

Doctor Olaf van Schuler's Brain

2009-01-09T07:36:00.000-08:00

Here's a great You Tube video of short performances from my friend Kirsten Menger-Anderson's newly released short story collection. I love this!

Rain Taxi Online

2009-01-09T07:20:00.000-08:00

Rain Taxi has some great interviews and reviews this month. Check them out here.

It's available!!

2009-01-06T18:32:00.000-08:00

Signed copies of WOMEN UP ON BLOCKS are now available for pre-order at my publisher's website: Press 53. So excited!!